Music analysis in the nineteenth century
- 其他作者: Bent, Ian,
- 出版: Cambridge ;New York : Cambridge University Press 2004-
- 版本: 1st pbk. ed.
- 稽核項: v. <2> :ill. ;25 cm.
- 叢書名: Cambridge readings in the literature of music
- 標題: History and criticism. , Music History and criticism. , Musical analysis , Musical analysis History -- 19th century. , Music , History
- ISBN: 052167347X , 9780521673471
- 試查全文@TNUA:
- 附註: 94年度教育部「建構圖書館多元館藏曁服務品質提升計畫」購藏. Includes bibliographical references and indexes. v. 1. Fugue, form, and style -- v. 2. Hermeneutic approaches. v. 1. Fugue, form, and style. Pt. 1., Analysis of fugue. Introduction -- 'Double fugue (Handel, Fugue from Harpsichord suite no. 6 in F# minor)' (1805) / J.-J. de Momigny -- 'Fruitful method of analysing a piece of music with respect to harmony' (?1816-18) / A. Reicha -- Elucidations of Johann Sebastian Bach's 'Art of fugue' (1841) / M. Hauptmann -- 'Analysis of the finale of Mozart's Symphony no. (41) in C (K551 ("Jupiter")) (1843) / S. Sechter -- 'Three-part fugue (bk I no. 6 in D minor) from J.S. Bach's Well-tempered clavier' / S.W. Dehn -- 'Prelude and fugue in B-flat minor, bk II no. 22 (from J.S. Bach's Well-tempered clavier)' (1890) / H. Riemann.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0632/2005275526-d.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0632/2005275526-t.html
- 系統號: 005197769
- 資料類型: 圖書
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- 引用網址: 複製連結
In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented nineteen analyses of a technical nature, all the writing here involves a metaphorical style of verbalised description, some pure examples, and others hybrid forms mixed with technical analysis. The music analysed is amongst the best-known in the repertoire: Wagner writes on Beethoven's Ninth Symphony, E. T. A. Hoffmann on the Fifth, Schumann writes on Berlioz, and Berlioz on Meyerbeer. Professor Bent presents each analysis with its own detailed introduction and each is amplified by supporting information in footnotes.
來源: Google Book
來源: Google Book
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