J.S. Bach and the German motet
- 作者: Melamed, Daniel R.
- 出版: Cambridge, UK ;New York, NY : Cambridge University Press 2005.
- 版本: 1st pbk. ed.
- 稽核項: xv, 229 p. :music. ;25 cm.
- 標題: History and criticism. , Motets , Motets Germany -- 17th century -- History and criticism. , Bach, Johann Sebastian, 1685-1750. , Motets Germany -- 18th century -- History and criticism. , Bach, Johann Sebastian,
- ISBN: 0521619769 , 9780521619769
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. 214-218) and index.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0632/2005280657-d.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0632/2005280657-t.html
- 系統號: 005203079
- 資料類型: 圖書
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The motets of J. S. Bach are probably the most sophisticated works ever composed in the genre. Nevertheless, Daniel Melamed maintains, the view that they constitute a body of work quite separate from the German motet tradition is mistaken. He starts by considering the eighteenth-century understanding of the term itself and finds that Bach's own use does indeed agree with his contemporaries and that his motets are rooted in the conventions of the time, particularly in matters of musical construction, performing forces, and type of text. A fresh look at the repertory shows that Bach composed motets all through his career and an appreciation of the contemporary conception of the motet sheds light on questions of how and why Bach himself used the form. Professor Melamed also finds plenty of evidence that motets and motet style played an important role in Bach's exploration of the musical past.
來源: Google Book
來源: Google Book
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