附註:Exhibition organized by the Walker Art Center, Minneapolis, and held Oct. 20, 1996-Feb. 2, 1997 at the Center, Feb. 26-May, 20, 1997 at the Museum of Modern Art, New York, and June 26-Sept. 14, 1997 at the Los Angeles County Museum of Art.
Includes bibliographical references (pages 217-220) and indexes.
Director's Foreword / Kathy Halbreich -- Hannah Hoch: Through the Looking Glass / Peter Boswell -- Exibition Plates 1-25: The Dada Years -- By Design: The Early Work of Hannah Hoch in Context / Maria Makela -- Exibition Plate 26-74: The Interwar Period -- The Later Adventures of Dada's "Good Girl": The Photomontages of Hannah Hoch after 1933 / Carolyn Lanchner -- Exibition Plates 75-109: World War II and Beyond -- Chronology / Kristin Makholm.
摘要:A pioneer in the medium of photomontage, Hannah Hoch (1889-1978) was the sole female member of the Berlin Dada movement and continued to produce innovative works well into the 1970s. In the decade and a half since her death, a new generation of scholars has focused its attention on her elegant dissection of the representation of women in the mass media during the Weimar era. Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, , Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction. This beautifully designed catalogue presents more than l00 color plates and offers new insights into the life and career of this extraordinary artist.
