Captive bodies :postcolonial subjectivity in cinema
- 作者: Foster, Gwendolyn Audrey.
- 出版: Albany : State University of New York Press ©1999.
- 稽核項: 1 online resource (xii, 249 pages) :illustrations.
- 叢書名: SUNY series, cultural studies in cinema/video
- 標題: Motion pictures , Motion pictures, American , IndustrieAspect politique , Rassismus , History and criticism. , Gefangener , Sexism in motion pictures. , Cinéma américain , Electronic books. , Cinéma Industrie -- Aspect politique -- États-Unis. , Motion pictures Political aspects. , Captivity in motion pictures. , Sexisme au cinéma. , PERFORMING ARTS , Motion picture industry , Political aspects , Cinéma américain Histoire et critique. , Political aspects. , Motion pictures, American History and criticism. , Film. , Captivité au cinéma. , United States. , Film & VideoReference. , Motion picture industry Political aspects -- United States. , Histoire et critique. , Aliénation (Philosophie) au cinéma. , Cinéma , USA. , Sex in motion pictures. , Impérialisme au cinéma. , Motion picture industry Political aspects. , Racism in motion pictures. , Imperialism in motion pictures. , Esclavage au cinéma. , Racisme au cinéma. , Slavery in motion pictures. , Sexualité au cinéma. , PERFORMING ARTS Film & Video -- Reference.
- ISBN: 1438403062 , 9781438403069
- ISBN: 0791441555 , 0791441563 , 9780791441558 , 9780791441565
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 211-230) and index.
- 摘要: Captive Bodies examines the film industry's fascination with bondage and captivity, seeking to revisualize American cinema through the lens of critical discourse on captivity narratives, slave narratives, and postcolonial critiques of cinematic constructions of "whiteness," "blackness," gender, and sexuality. Captivity is also examined here in relation to both those in front and behind the camera. Are we "subject" to others? Are we "bound" and "captive" in images? Are we "captive" bodies and "captive" audiences, held hostage to the spectacles of voyeuristic pleasure? Are those behind the camera involved in a process not unlike that of the slave system, enslaving the body in the image? , To answer these and other questions, Captive Bodies draws upon a wide range of critical methodologies, including postcolonial studies, feminist film criticism, anthropology, and phenomenology.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=5642
- 系統號: 005283161
- 資料類型: 電子書
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- 引用網址: 複製連結
Captive Bodies examines the film industry's fascination with bondage and captivity, seeking to revisualize American cinema through the lens of critical discourse on captivity narratives, slave narratives, and postcolonial critiques of cinematic constructions of "whiteness," "blackness," gender, and sexuality. Captivity is also examined here in relation to both those in front and behind the camera. Are we "subject" to others? Are we "bound" and "captive" in images? Are we "captive" bodies and "captive" audiences, held hostage to the spectacles of voyeuristic pleasure? Are those behind the camera involved in a process not unlike that of the slave system, enslaving the body in the image? To answer these and other questions, Captive Bodies draws upon a wide range of critical methodologies, including postcolonial studies, feminist film criticism, anthropology, and phenomenology.
來源: Google Book
來源: Google Book
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