附註:"Publications by Jo Spence": pages [234]-236.
Includes bibliographical references (pages 231-233) and index.
""BOOK COVER""; ""HALF-TITLE""; ""TITLE""; ""COPYRIGHT""; ""DEDICATION""; ""DEDICATION""; ""CONTENTS""; ""ILLUSTRATIONS""; ""ABOUT THOSE DIRECTLY INVOLVED IN THIS BOOK""; ""ACKNOWLEDGEMENTS""; ""EDITOR�S PREFACE""; ""INTRODUCTION""; ""CHRONOLOGY OF JO SPENCE�S LIFE""; ""CLASS, REALISM AND BEYOND""; ""1. THE POLITICS OF PHOTOGRAPHY""; ""CURRENT TRENDS IN COMMERCIAL PHOTOGRAPHY""; ""SOCIAL REALISM""; ""SOME ALTERNATIVES""; ""Community photography""; ""2. THE UNPOLITICAL PHOTOGRAPH?""; ""THE NEUTRAL WORLD?""; ""CLASS EXPERIENCES""; ""WHERE DO IDEAS COME FROM?""
""HOW THE WORK CAME ABOUT""""WORKING METHOD""; ""MOVING ON?""; ""PLEASURE""; ""10. TEN YEARS OF PHOTOGRAPHY WORKSHOP""; ""1974�1976""; ""1977�1979""; ""PHOTOGRAPHY WORKSHOP�S ORIGINAL STATEMENT OF AIMS""; ""1980�1982""; ""1974�1984: SETTING UP AN ARCHIVE""; ""11. QUESTIONING DOCUMENTARY PRACTICE?""; ""NOTES TO PART ONE""; ""2 THE UNPOLITICAL PHOTOGRAPH?""; ""3 WHAT DID YOU DO IN THE WAR, MUMMY? CLASS AND GENDER IN THE IMAGES OF WOMEN""; ""5 THE SIGN AS A SITE OF CLASS STRUGGLE: REFLECTIONS ON THE WORK OF JOHN HEARTFIELD""; ""Recommended reading includes:""
""7 FAIRY TALES AND PHOTOGRAPHY""""10 TEN YEARS OF PHOTOGRAPHY WORKSHOP""; ""11 QUESTIONING DOCUMENTARY PRACTICE? THE SIGN AS A SITE OF STRUGGLE""; ""A CRISIS RISIS OF REPRESENTATION Health and Bodies""; ""12. THE PICTURE OF HEALTH? ""; ""PATIENTS� RIGHTS""; ""ALTERNATIVE APPROACHES TO SURVIVAL""; ""HINTS FOR THE DAILY ROUTINE""; ""CONSCIOUSNESS RAISING""; ""13. TIP OF THE ICEBERG""; ""SECTION 1: WHOSE BREAST?""; ""SECTION 2: FIT TO BE SEEN""; ""SECTION 3: TAKING CONTROL""; ""TREATMENT""; ""14. IDENTITY AND CULTURAL PRODUCTION ""; ""Narratives of Dis-Ease: Ritualized Procedures""
""15. BODY BEAUTIFUL OR BODY IN CRISIS""""BREAST CANCER: WHAT IS IT?""; ""A CONTEXT FOR SPEAKING: WHO AM I?""; ""TOWARDS A DIALECTICAL VIEW OF OUR BODIES""; ""NOTES TO PART TWO ""; ""12 THE PICTURE OF HEALTH? PART 3""; ""14 IDENTITY AND CULTURAL PRODUCTION: OR DECIDING TO BECOME THE SUBJECT OF OUR OWN HISTORIES RATHER THAN THE OBJECT OF ANYONE ELSE�S""; ""IDENTITY, PHOTOGRAPHY, THERAPY""; ""16. NEW KNOTS, 1983""; ""THE PROBLEM OF NOT KNOWING WHAT THE PROBLEM IS""; ""17. THE POLITICS OF TRANSFORMATION""; ""THE BACKGROUND""; ""PHOTOTHERAPY�A HEALING ART?""; ""THEORY AND ACTIVITY?""
