附註:Includes bibliographical references (pages 191-205) and index.
Filmography: pages (207-208).
Ch. 1. Introduction : toward a postsocialist cinema? -- ch. 2. Writing on blank paper : the classical cinema before 1976 as a didactic paradigm -- ch. 3. Entering forbidden zones and exposing wounds : rewriting socialist history -- ch. 4. Postsocialism and the decline of the hero -- ch. 5. A family affair : separation and subjectivity -- ch. 6. Ending it all : bitter love -- ch. 7. Afterword : foreigner within, foreigner without.
摘要:This book argues that the fundamental shift in Chinese Cinema away from Socialism and towards Post-Socialism can be located earlier than the emergence of the ""Fifth Generation"" in the mid-eighties when it is usually assumed to have occured. By close analysis of films from the 1949-1976 Maoist era in comparison with 1976-81 films representing the Cultural Revolution, it demonstrates that the latter already breaks away from Socialism
