Theatre and Performance in Digital Culture :From Simulation to Embeddedness
- 作者: Causey, Matthew.
- 出版: Routledge 2009.
- 稽核項: xiv, 214 p. :ill. ;24 cm.
- 叢書名: Routledge advances in theatre and performance studies ;5
- 標題: Technological innovations. , Theater Technological innovations. , Theater , Performing arts , Performing arts Technological innovations.
- ISBN: 0415368405 , 9780415368407
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界. Includes bibliographical references (p. [198]-204) and index. The screen test of the double: the uncanny performer in the space of technology -- Televisual performance: openness to the mystery -- Posthuman and postorganic performance: the (dis)appearance of theatre in virtual spaces -- Perspectiva artificialis: the duplicitous geographies of stage illusion, or, the not-so-splendid isolation of the actor on the early modern perspective stage and in the historical avant-garde -- The ruins of illusion: theatre in the rise of the virtual and the fall of illusion -- The aesthetics of disappearance and the politics of visibility -- Stealing from God: the crisis of creation in Socìetas Raffaello Sanzio's Genesi and Eduardo Kac's Genesis -- From simulation to embeddedness: aestheticizing politics and the performance of bare life in the bio-politics of digital culture -- The theatre and its negative: event, truth and the void.
- 摘要: Matthew Causey explores the research fields of performance and theatre, new media and digital culture studies as well as art and aesthetics. He considers the history of the technological advances in the media and computer environments and the manner with which theatre and performance have evolved within these systems.
- 系統號: 005261882
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems. The book examines the two Iraq wars, 9/11 and the War on Terror through the lens of performance studies, and, drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of the Kantor, Foreman, Socíetas Raffaello Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. This wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena.
來源: Google Book
來源: Google Book
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