資料來源: Google Book
The making of alternative cinema
- 作者: Falsetto, Mario.
- 其他作者: Bear, Liza.
- 出版: Westport, Conn. : Praeger 2008.
- 稽核項: 2 v. :ill. ;25 cm.
- 標題: Filmregisseur , Filmregisseur Gesprach -- Geschichte 2001 ff. , Film. , Unabhangiger Film. , Filmschauspieler. , Filmregisseur. , Filmregisseur USA -- Gesprach. , Avantgardistischer Film Geschichte 2001 ff. , Independent cinema. , Independent filmmakers , Motion picture producers and directors Interviews. , Filmregisseur Gesprach -- Geschichte 1960-2000. , Gesprach , Motion picture producers and directors , Gesprach. , Independent filmmakers Interviews. , Avantgardistischer Film Geschichte 1960-2000. , Avantgardistischer Film
- ISBN: 0275996654 , 9780275996659
- 試查全文@TNUA:
- 附註: 99年度教育部購置教學研究相關圖書儀器及設備計畫. Includes filmographies and indexes. v. 1: Dialogues with independent filmmakers / Mario Falsetto -- v. 2. Beyond the frame : dialogues with world filmmakers / Liza Bear ; foreword by Laurance A. Kardish.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip0726/2007037156.html
- 系統號: 005036725
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Liza Bear's Beyond the Frame: Dialogues with World Filmmakers explores the world cinema of the past 25 years, and celebrates its range and diversity by paying detailed attention to the creative process. It contains roughly 50 interviews with, and short pieces on directors and other artistic collaborators from over twenty countries, primarily in Asia, Europe, Latin America, and the Middle East. Liza Bear's incisive interviews provide immediate and rapid insights into directors' key themes and concerns. Her continual attention to bodies of work also allows the directors to explain what guided them in their respective movements towards and away from certain themes and genres. While directors are notorious for keeping their cards close to their chest, most of the interviews provided here have a stunning degree of openness and honesty, perhaps because many of these voices have had such a hard time getting heard in the first place. The dialogues examine, among other issues: the sources of the scripts, how the films get made and, where possible, the socioeconomic and cultural conditions under which the directors have worked, from Argentina to Iran to Romania. In addition to the interviews, there is an introduction by noted author Robin Andersen that elucidates recurrent themes arising out of the discussions, a foreword by Laurence Kardish, Film Curator at the Museum of Modern Art, filmographies, and numerous photographs.
來源: Google Book
來源: Google Book
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