資料來源: Google Book
Symphonic aspirations :German music and politics, 1900-1945
- 作者: Painter, Karen.
- 出版: Cambridge, Mass. : Harvard University Press 2007.
- 稽核項: vi, 354 p. ;25 cm.
- 標題: History and criticism. , Musik. , Music Political aspects -- Germany -- History -- 20th century. , National socialism and music. , Music Germany -- 20th century -- History and criticism. , Music , Deutschland. , Political aspectsHistory , Kulturpolitik. , Politik. , Nationalsozialismus.
- ISBN: 0674026616 , 9780674026612
- 試查全文@TNUA:
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. [271]-342) and index. Tradition in a modern age : Bruckner and Mahler at the fin de siecle -- Symphonic idealism in crisis -- Symphonic conventions of a world past -- Sensuality and redemption -- The politics of tradition : Mahler and Bruckner, 1914-1933 -- Mahler's progressive legacy and the aestheticization of violence -- Bruckner's nationalist legacy and the aestheticization of space -- Symphonic traditions under National socialism -- Symphonic ambitions and Hindemith's Mathis der Mahler symphony -- Symphonic defeat.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip0712/2007009599.html
- 系統號: 005063754
- 資料類型: 圖書
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- 引用網址: 複製連結
Can music be political? Germans have long claimed the symphony as a pillar of their modern national culture. By 1900, the critical discourse on music, particularly symphonies, rose to such prominence as to command front-page news. With the embrace of the Great War, the humiliation of defeat, and the ensuing economic turmoil, music evolved from the most abstract to the most political of the arts. Even Goebbels saw the symphony as a tool of propaganda. More than composers or musicians, critics were responsible for this politicization of music, aspiring to change how music was heard and understood. Once hailed as a source of individual heroism, the symphony came to serve a communal vision. Karen Painter examines the politicization of musical listening in Germany and Austria, showing how nationalism, anti-Semitism, liberalism, and socialism profoundly affected the experience of serious music. Her analysis draws on a vast collection of writings on the symphony, particularly those of Mahler and Bruckner, to offer compelling evidence that music can and did serve ideological ends. She traces changes in critical discourse that reflected but also contributed to the historical conditions of the fin de siècle, World War I, and the Nazi regime.
來源: Google Book
來源: Google Book
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